Bach Bibliography Search Result

Author : Grant, Jason B.
Max number of results shown : 300
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Type	List	Author	Title[further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Grant, Jason B.	The Origins of the Aria 'Ich folge dir, verklärter Held' and the Recurring Chorus 'Triumph!' from the Oratorio Die Auferstehung und Himmelfahrt Jesu by Carl Philipp Emanuel Bach.	Bach	44	2	2013	6-24
	2.	Grant, Jason B.	Die Herkunft des Chors 'Triumph! Triumph! Des Herrn Gesalbter sieget' aus dem Oratorium 'Die Auferstehung und Himmelfahrt Jesu' von C. P. E. Bach.	BachJb	97		2011	273-286
	3.	Grant, Jason Benjamin	A borrowing identified in Carl Philipp Emanuel Bach's 1784 St. John Passion and a sketch explained.	[ce]SonsOfBach			2016	47-55
	4.	Grant, Jason B.	The Vocal Music of the Bach Family in Carl Philipp Emanuel Bach: The Complete Works.	ContextBachStud	8		2018	261-279
	5.	Grant, Jason B.; Kulukundis, Elias N. (eds.)	Keyboard Concertos from Manuscript Sources XI / Carl Philipp Emanuel Bach.	CPEBachCW	3	9.11	2017	xxvi, 134p
	6.	Grant, Jason B. (ed.)	Quartalstücke VI / Carl Philipp Emanuel Bach.	CPEBachCW	5	2.6	2017	xxxii, 176p
	7.	Grant, Jason B. (ed.)	Einführungsmusiken II / Carl Philipp Emanuel Bach.	CPEBachCW	5	3.2	2013	xlii, 198p
	8.	Grant, Jason B.	Chorale arrangements in the late liturgical passions of Georg Philipp Telemann.	[cr]Williamsburg2006			2008	228-255
	9.	Grant, Jason B.	Die Choralbearbeitungen in den späten liturgischen Passionen von Georg Philipp Telemann.	TelemannKonfBer	16		2011	390-415
	10.	Grant, Jason B.	The Rise of Lyricism and the Decline of Biblical Narration in Georg Philipp Telemann's Lukaspassion (1764).	WolfenbüttelArbBarockF	43		2005	ii: 625-637